Blogroll
- On Humility
- The Tragedy of Man
- Guest Post: ‘Prophecy Of A Theban Princess: A Review of FOR A RADICAL LIFE by Daria Dugina’
- Ammiel Alcalay's New Essay In Middle East Eye
- Submerged But Not Much Longer
- The Akathist Hymn
- On the Presuppositions of our Personal Salvation
- Interview 1876 – Iran Strikes, WHO Protests, German 4/20 (NWNW 551)
- Suing the Tyrants – #SolutionsWatch
- Offsite Post: ‘The Orthodox Bishops in the United States Act Culturally Illiterate’
- Note To Self
- Interview 1875 – James Corbett Breaks The Spell of the Global Conspiracy
- The Secret History of Hamas
- Reiner Fuellmich, In 18 Minute Recording From Prison, Reveals Deep Infiltration, Intelligence Gathering, And Plot; Also Says Covid Empire Of Lies Crumbling
- Folk Music As Anti-Anxiety
- Iran Launches Retaliatory Air Attack On Israel
- The Path of True Christian Life
- The Significance of Fasting in the Struggle against Fallen Spirits
- Echoes of WWI: China, the US, and the Next “Great” War (2017)
- Offsite Post: ‘The Right Foundation’
- Interview 1874 – 6th Time’s The Charm for Zimbabwe’s “New” Currency (NWNW 550)
- CHD Wins in Los Angeles ‘Smart City’ Public Records Case, Gaining Access to Thousands of Withheld Documents Regarding Rollout of Artificial Intelligence
- Offsite Post: ‘The Power of Women’
- ‘Alleluia’: Exploring the Depth of the Shortest Doxology
- Offsite Post: ‘German Greatness’
- Judge Rules in Historic CHD Lawsuit Challenging Fast-tracking of Wireless Infrastructure in Los Angeles
- CHD Supports the Motion Against U.S. Department of Health and Human Services Alleging Fraud in Omnibus Autism Proceeding
- Offsite Post: ‘Will America Complete Its Revolution?’
- Exploring the Lenten Triodion: A Journey through Penitence and Joy
- CHD to Host ‘The Rally to Reclaim Free Speech’ as SCOTUS Hears Landmark Censorship Case Murthy v. Missouri
- CHD to Host ‘The Rally to Reclaim Free Speech’ as SCOTUS Hears Landmark Censorship Case Murthy v. Missouri
- From Aristocrat to Ascetic: The Disguised Path of Saint Anastasia
- Autobiography of Alexandros Papadiamantis
- Exploring the Essence of Praising God
- Brian Hooker to Participate in Senator Ron Johnson’s COVID Response Briefing, ‘What Are They Hiding?’
- Navigating the Path to Confession after Grave Sins
- Miraculous Encounters: The Power of Saintly Relics
- A hindu convert to Orthodoxy
- Un hindus convertit la Ortodoxie
- Alexandros Papadiamantis Resource Page
- How Great Spiritual Figures of Greece Helped Form the Renowned Conductor Dimitri Mitropoulos
- Artificial Intelligence as Artificial Brilliance (Metr. Hierotheos of Nafpaktos)
- How to fight any passion
- Pr. Serghei Baranov – Cum să te lupți împotriva oricărei patimi
- The Catacomb Church (1991)
- Movie: "Men of Anjolos" (1997) - An Islamic Movie on the Life of the Seven Youths of Ephesus
- The story of a repentant Sergian Priest!
- A brutal crush and a dark Ecclesiastical secret!
- Tortured for Orthodoxy: concerning Mother Joanna (†1998)
- The Bitten Apple of Apple Inc. (Metr. Hierotheos of Nafpaktos)
- 41 Testimonies: on Sergianism and the "ecclesial" status of the Soviet Church
- Hymn of love
- Imnul iubirii
- The Eternal Day
- Follow Me
- I will give you rest
- Single Mind, Simple Life – Gospel for the Third Sunday of Matthew
- Save your soul with fear of God
- Enduring skillfully
- Orthodoxy is unique
Cele mai citite
- Să învățăm să iubim
- Clark Carlton: Modernity considers sub-natural existence the sumit of human progress
- Dostoevsky for Parents and Children: (IV) Merchant Skotoboinikov's Story
- O mica problema de retorica
- 101 carti de necitit intr-o viata
- O stire: moartea presei.
- Totalitarism homosexual
- Alternativa Nicusor Dan. Nula
- Cu ochii larg închiși
- Evolutionism pe intelesul tuturor
Arta de dragul puterii |
Polemici |
Scris de Ninel Ganea |
Marţi, 24 Mai 2011 10:36 |
Sunt multe lucruri in neregula cu arta moderna. Daca vorbim strict de arta contemporana, probabil cel mai important aspect este ca nu arata deloc a arta si cel mai probabil nu este. Orice om cu capul pe umeri este complet derutat de ceea ce i se prezinta indeobste ca fiind arta. Repertoriul stilistic este compus din mazgaleli, scrijelituri, pete de culoare dezordonate, figuri geometrice, conserve, pisoare, samd. Spectacolul absurd infatisat de o galerie contemporana este completat de obicei de prezenta criticului. Din principiu el are rolul de a complica si mai mult lucrurile, actionand ca un fel de saman pe langa “divinitatea” creatoare. Mesajul este camuflat intr-un limbaj abscons, cu fraze ermetice, totul fiind premeditat sa blocheze accesul la mecanismele din spatele geniului. Descifrarea devine o misiune imposibila. M-am intrebat de multe ori cum a fost posibil ca o astfel de arta, care sfideaza programatic orice ratiune si intelegere, sa se impuna.
In principal cred ca sunt doua raspunsuri complementare. In primul rand ceea ce numim arta moderna are drept origine divortul romantismului de legaturile cu traditia clasica si cea crestina, cu abandonul oricarui control asupra imaginatiei si impunerea senzatiei drept criteriu suprem in evaluare.
Consecinta pe termen mediu a acestei filozofii este degenerescenta dupa cum indica foarte clar fragmentul urmator despre miscarea literarara romantica din Franta: “Judged by any standard Rousseau is a man of intellectual power, and he seems especially great when compared to Chateaubriand. Chateaubriand in turn appears an intellectual giant compared with Lamartine. Lamartine’s ideas begin to look serious when compared with those of Hugo. Hugo himself strikes one as intellectually active compared with Verlaine. In these last anaemic representatives of the school we arrive at something approaching a sheer intellectual vacuum – the mere buzzling of the romantic chimera in the void. Such is the result of divorcing literature from rational purpose and reducing it to the quest for sensation” (Irving Babbitt)
Al doilea motiv al succesului de care se bucura arta moderna provine din sustinerea financiara a unor grupuri cu interese mai putin transparente, de cele mai multe ori elite statale. Cotidianul britanic “The Independent” a publicat un lung si documentat articol despre finantarea oferita de CIA “expresionistilor abstracti”, Pollock, De Kooning &co. “The connection is not quite as odd as it might appear. At this time the new agency, staffed mainly by Yale and Harvard graduates, many of whom collected art and wrote novels in their spare time, was a haven of liberalism when compared with a political world dominated by McCarthy or with J Edgar Hoover's FBI. If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA”.
In aceiasi ordine de idei trebuie amintita si crearea MOMA (Museum of Modern Art) din New York de catre familia Rockefeller, un paradis al artistilor contemporani favorizati de mai marii zilei. In haosul si dezordinea romantica era absolut normal ca unicul criteriu de selectie sa fie capriciile si vointa de putere anticipata de nihilistii moderni.
|